It’s a whole other way of working that I’m getting up to speed on.” I’m fairly free to do the story that we want to do, but you really need to know who’s done what, who’s doing what, where it goes and how it works, and what designs have been done before. I’m on the phone with all of them and doing Zoom meetings with everybody involved in Star Wars all the time.

“It’s an entirely different way of working. Jenkins, who revealed in the Rogue Squadron announcement video that she has a personal connection to the story, her father was an Air Force pilot, also added that she is “ fairly free” to make the film that she wants to. I’m so excited about the story and excited that we’re the next chapter of Star Wars, which is such a responsibility and such an opportunity to really start some new things. We’re finishing a script, crewing up, and it’s all going wonderful.

I had been on it already for six months before I even announced that, so we’re pretty deep into it. It's coarse and rough and irritating – and it gets everywhere.“It’s going amazing. The latter is the most insufferable, since George Lucas never had much of an ear for dialogue, as notoriously pointed out by Harrison Ford when he declared on set: “George, you can type this s***, but you sure as hell can’t say it.” Which leads us to one of the worst line readings in cinematic history, when Hayden Christensen’s Anakin laments: “I don't like sand. It’s a film driven by unnecessary desires: from the space politics, to Boba Fett’s backstory, to Padmé and Anakin’s romance. While Revenge of the Sith has some sense of completion and The Phantom Menace has some sense of wonder, all Attack of the Clones has is a CGI Yoda bopping about the screen like an unswattable fly while battling Christopher Lee’s Count Dooku. The prequel trilogy has lived on in infamy, but the true low point of this low point in the Star Wars franchise must be Attack of the Clones, the dry, crusted middle of the cinematic sandwich.

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